A Witches’ Bible: The Complete Witches’ Handbook
By Janet and Stewart Farrar.
First Published 1981
Edition shown and discussed is my 2018 edition
This is one of the most influential practical books of modern Wicca. It was written by Stewart Farrar and Janet Farrar, practitioners who were initiated into the Alexandrian tradition of Wicca by Alex and Maxine Sanders. The book first appeared in the early 1980s and is still widely read by witches and Wiccans today.
One important point about the title is that it isn’t really a single book in the way the name might suggest. The modern Witches’ Bible combines two earlier Farrar works: Eight Sabbats for Witches (1981) and The Witches’ Way (1984). Be sure to read my look of the latter.
What is in the book?
The book is essentially a combination of ritual handbook, Book of Shadows, explanation of Wiccan theology and guide to coven practice.
Among its major subjects are:
- The eight Sabbats
- The casting and banishing of the magic circle
- The Great Rite
- Initiation ceremonies
- Consecration of magical tools
- Spells and spellcraft
- Witches’ tools
- The role of the Goddess and God
- Coven organisation
- Witchcraft and sexuality
- Clairvoyance
- Astral projection
- Wiccaning ceremonies
- Handfasting
- Requiem and death rites
- Full and New Moon ritual work
The publisher describes it as covering the principles, rituals and beliefs of modern Witchcraft, while the Museum of Witchcraft and Magic also holds an early edition in its library.
The Sabbats
One of the book’s particularly valuable features is its treatment of the Wheel of the Year.
It discusses:
- Imbolc
- Spring Equinox
- Beltane
- Midsummer
- Lughnasadh
- Autumn Equinox
- Samhain
- Yule
The Farrars don’t merely describe these festivals historically. They provide ritual structures for actually celebrating them, making this section especially useful to someone interested in practising rather than simply studying Wiccan history.
The Book of Shadows
Perhaps the most significant aspect of A Witches’ Bible is its attempt to present a substantial body of ritual material associated with British Wicca.
The Farrars drew heavily upon the Gardnerian and Alexandrian traditions and worked with material associated with the Wiccan ritual tradition. Doreen Valiente, one of the most important figures in early Gardnerian Wicca, was also associated with the Farrars’ work and provided important assistance and insight.
Consequently, the book became an important way for ritual material that had previously circulated primarily within covens to reach a much wider readership.
This was significant because Wicca had traditionally placed considerable emphasis on initiation and oral transmission. The Farrars helped move modern Witchcraft toward a more openly published and accessible tradition.
The Great Rite
The Great Rite receives considerable attention.
Within traditional Wicca, it symbolises the union of the masculine and feminine divine principles. The ritual can be performed symbolically or, within certain traditional contexts, literally by consenting initiates.
The Farrars’ treatment is important because it places sexuality within a sacred and ritual framework, rather than treating it simply as an occult technique.
This was quite striking when the book appeared and remains one of the reasons it is historically important.
Coven practice
Another particularly useful part of the book is its discussion of how a coven actually functions.
The Farrars discuss matters such as:
- initiation
- degrees
- priesthood
- leadership
- ritual roles
- training
- magical development
- group organisation
- relationships between members
This makes the book much more than a collection of spells. It attempts to explain Witchcraft as a religious and communal practice.
For someone interested in traditional Wicca, this is particularly valuable because it gives a picture of how a working coven might understand itself.
Magic and psychic development
The book also ventures into areas that would now be considered part of the broader Western esoteric tradition, including:
Clairvoyance: developing psychic perception and awareness.
Astral projection: exploration of consciousness outside ordinary physical awareness.
Spellcraft: understanding intention, ritual symbolism and magical technique.
Consecration: transforming ordinary objects into ritual tools through magical ceremony.
The emphasis is generally on ritual practice and disciplined development, rather than simply collecting spells.
Why the book is historically important
A Witches’ Bible appeared during an important period in the development of modern Paganism.
By the 1970s and 1980s, Wicca was moving from relatively small initiatory groups into a much broader Pagan movement. Books such as the Farrars’ made previously obscure practices accessible to people who had no connection to a traditional coven.
The book therefore helped bridge two worlds:
Initiatory Wicca and Public Pagan Witchcraft
It helped establish ritual patterns that subsequently became familiar throughout modern Witchcraft.
Its influence can be seen particularly in the widespread modern practice of the Wheel of the Year, Sabbat rituals, circle casting, magical tool consecration and Wiccan life-cycle ceremonies.
Is it genuinely “traditional”?
This is where some qualification is useful.
The book is extremely important, but it shouldn’t be treated as the definitive description of all Witchcraft.
It primarily reflects the Farrars’ experience of Alexandrian and Gardnerian-derived Wicca, with their own interpretations and developments. Wicca itself has always contained different traditions, covens and individual approaches.
There have also been disagreements within the Pagan community over the publication of ritual material that some practitioners believed should remain within initiatory traditions. Contemporary descriptions of the book sometimes note these controversies.
So it is better regarded as a major historical and practical source for modern British Wicca, rather than a universal Book of Shadows.
The Witches’ Bible and the Farrars’ other books
The book is best understood as part of a much larger body of work by Stewart and Janet Farrar.
Their other important works include:
- What Witches Do
- Eight Sabbats for Witches
- The Witches’ Way
- The Witches’ Goddess
- The Witches’ God
- Spells and How They Work
- The Pagan Path
- The Healing Craft
Their later work with Gavin Bone also helped develop ideas sometimes described as Progressive Witchcraft.
Worth buying?
If you are interested in traditional Wicca, Alexandrian Witchcraft, coven ritual or the historical development of modern British Witchcraft, A Witches’ Bible is one of the books I would consider essential reading.
Its greatest strength is that it combines history, theology and practical ritual. It gives you a feeling for how Wiccans actually understood their religion and magical practice during the formative decades of modern Paganism.
It is also worth reading critically. Some of its material reflects the attitudes and terminology of the 1970s–1980s, and modern Wicca has developed considerably since then.
In other words, it is valuable both as a practical Witchcraft handbook and as a historical document of modern Wicca.
The current edition is published as A Witches’ Bible: The Complete Witches’ Handbookand remains available in print and electronic editions.
If you’re exploring the Farrars’ work in depth, I would particularly recommend reading The Witches’ Bible alongside The Witches’ Goddess and The Witches’ God, because together they give a much fuller picture of their understanding of Wiccan ritual, the Goddess and the God.
The book is readily available new and used.
Publisher
Publication date
1999
Language
English
ISBN 10
0709072279
ISBN 13
9780709072270
Binding
Paperback
Number of pages
584
https://www.abebooks.co.uk/9780709072270/Witches-Bible-Complete-Handbook-Janet-0709072279/plp
About Janet and Stewart Farrar
The authors of A Witches’ Bible were Stewart Farrar (1916–2000) and Janet Farrar (born 1950). They were much more than writers about Wicca: both were initiated practitioners, priests and priestesses, and became two of the most influential figures in the development and public understanding of modern British Witchcraft.
Stewart Farrar
Stewart Farrar was born in London in 1916. Before becoming involved with Witchcraft, he had an extensive career as a journalist, novelist, screenwriter and writer. He worked for publications including Reuters, Reveille, Soviet Weekly and the Daily Worker, and wrote scripts for British television and radio.
His introduction to Wicca came through journalism.
In 1969, Farrar interviewed Alex and Maxine Sanders, the founders of what became known as Alexandrian Wicca. The meeting profoundly changed his life. Rather than simply reporting on the Sanders, Farrar became fascinated by the religion and its ritual practices.
He was initiated by the Sanders in 1970, and very quickly became a prominent member of the Alexandrian community. He subsequently became a High Priest and established his own coven.
What Witches Do
Farrar’s first major Witchcraft book was What Witches Do, published in 1971.
It was significant because it was one of the earliest books written by someone who was actually participating in a contemporary Wiccan coven. Rather than presenting Witchcraft as an historical curiosity or sensational story, Farrar attempted to explain what modern witches actually did.
This established the pattern that would characterise much of his later writing: taking practices that had traditionally been transmitted within covens and explaining them to a much wider audience.
Janet Farrar
Janet Farrar was born Janet Owen in London in 1950.
She encountered Wicca in 1970, initially accompanying a friend who was interested in investigating the Sanders’ coven. Her intention was apparently more to keep an eye on her friend than to become a witch herself—but she became fascinated by the Craft and was eventually initiated.
It was in the Sanders’ coven that she met Stewart.
The two became partners in both Witchcraft and writing. They were handfasted in 1972 and later legally married. In 1976 they moved from London to Ireland, where they continued their coven work and writing.
Janet became an important figure in her own right. She wasn’t simply Stewart’s assistant or collaborator. She was an experienced priestess and practitioner whose perspective substantially shaped their books.
Their partnership
The Farrars’ importance comes partly from the way their relationship combined ritual practice, research and writing.
Their major collaborative works included:
- Eight Sabbats for Witches (1981)
- The Witches’ Way (1984)
- The Witches’ Goddess (1987)
- The Witches’ God (1989)
- Spells and How They Work (1990)
- The Pagan Path (1995)
- The Healing Craft (1999)
A Witches’ Bible subsequently brought Eight Sabbats for Witches and The Witches’ Waytogether into one volume.
This explains why A Witches’ Bible is such a substantial work: it represents two major books of their earlier career combined into one handbook.
Their relationship with Alexandrian Wicca
The Farrars began firmly within the Alexandrian tradition established by Alex and Maxine Sanders.
Alexandrian Wicca drew heavily upon Gardnerian Wicca but also incorporated elements of ceremonial magic and Qabalah.
The Farrars eventually developed their own approach, however. Their later work became less concerned with maintaining a strict Alexandrian identity and more interested in exploring Witchcraft as a developing spiritual tradition.
This is an important distinction when reading A Witches’ Bible: it contains a great deal of traditional Alexandrian/Gardnerian-derived material, but the Farrars were also interpreters and innovators.
For example, some rituals in their books were their own constructions or adaptations rather than ancient survivals. Their treatment of the Oak King and Holly King cycle, for instance, was influenced by Robert Graves’ The White Goddess and subsequently became extremely influential in modern Paganism.
Their connection with Doreen Valiente
Another fascinating aspect of their story is their relationship with Doreen Valiente, one of the central figures in the history of modern Wicca.
Valiente had worked closely with Gerald Gardner and was responsible for writing or revising some of the most important early Wiccan ritual material. She later supported the Farrars and contributed to their efforts to investigate and document Wiccan history.
This gives The Witches’ Way in particular an unusual historical importance: the Farrars weren’t simply publishing their own rituals; they were also trying to trace the development of the Gardnerian and Alexandrian traditions.
Stewart’s death and Janet’s later work
Stewart died in Ireland on 7 February 2000, following a brief illness.
Janet continued writing and teaching after his death.
She subsequently worked closely with Gavin Bone, with whom she co-authored several important books, including Progressive Witchcraft and The Inner Mysteries. Their later work moved further away from a strictly traditional Alexandrian model and explored trance, mystical experience, spirituality and the individual’s relationship with deity.
Janet therefore represents an interesting bridge between traditional initiatory Wicca and the more experimental, eclectic forms of contemporary Witchcraft.
Their lasting influence
The Farrars’ influence on modern Witchcraft is enormous.
Their books helped transform Wicca from something that was largely encountered through initiatory covens and oral tradition into something that could be studied and practised by a much wider public.
They helped popularise ideas that are now extremely familiar:
The Wheel of the Year → Sabbat rituals → Circle casting → Wiccan priesthood → Initiation → Handfasting → Wiccaning → Great Rite → Goddess and God theology
Their books have consequently influenced generations of witches who have never belonged to an Alexandrian coven.
The Crowood Press describes A Witches’ Bible as one of their most influential works and notes that their books helped “set the mould for modern Craft writers worldwide.”
One particularly interesting thing about Stewart
Given your interest in the history and development of Witchcraft, I think Stewart Farrar is especially fascinating because he entered Wicca as a journalist investigating Alex Sanders and ended up becoming one of the people who documented and shaped the movement himself.
There is even a biography of him, Stewart Farrar: Writer on a Broomstick by Elizabeth Guerra, which draws upon his life and career.
So his story is almost a microcosm of the emergence of modern Wicca: journalist encounters controversial witch → becomes initiated → becomes priest → forms coven → writes about the Craft → helps bring Wicca into the public sphere.
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