Showing posts with label wicca. Show all posts
Showing posts with label wicca. Show all posts

Wednesday, 26 November 2025

The Three Fold Law in Witchcraft

 What is the 

Threefold Law?



The Threefold Law (also called the Law of Threefold Return or simply the Rule of Three) is one of the most widely recognized ethical principles in modern Wicca and many forms of contemporary Paganism and Witchcraft.



In its simplest form, it states:


Whatever energy you send out into the world—whether positive or negative—returns to you multiplied by three.”


Or, in the more poetic wording commonly found in Wiccan circles:


Ever mind the Rule of Three,

Three times what thou givest returns to thee.”


It is both a karmic law and a practical warning: your actions, thoughts, intentions, and especially your magic have consequences that come back amplified.


Origins of the Three Fold Law

The Threefold Law is not an ancient pagan belief. It is a modern creation that emerged in the mid-20th century within Gerald Gardner’s Wicca (founded in the 1940s–1950s). Gardner himself phrased it in his writings, and it was later popularised by high priestess Doreen Valiente and by Raymond Buckland in the United States.






The concept appears to be influenced by several sources:

•  Eastern ideas of karma (action and consequence)

•  The Western occult idea that energy follows thought and intent

•  A possible misreading or reinterpretation of older folklore sayings (e.g., “a curse comes home to roost” or blessings being returned “threefold” in some medieval tales)

•  Aleister Crowley’s Thelemic dictum “Do what thou wilt” tempered with responsibility



Because of this, many reconstructionist pagans, traditional witches, and practitioners of pre-Wiccan folk magic reject the Threefold Law as a modern invention that does not apply to their paths.


How the “Three” Is Usually Interpreted

Wiccans and neo-pagans typically explain the multiplication in one (or more) of these ways:

Three levels of existence
What you do affects you on the physical, mental, and spiritual planes—so the return is “three times” because it hits body, mind, and soul.

Literal energetic multiplication
The universe amplifies the energy you put out and returns it at triple strength (some say 3×, others 9×, or simply “greatly magnified”).

3Three stages of return
The energy comes back in three waves or through three different events/people.


Most practitioners treat it as a guideline rather than a precise mathematical formula.




Common Misconceptions

•  It is not a universal law of witchcraft. Traditional witches, Hoodoo practitioners, many Heathens, and chaos magicians usually do not follow it.

•  It does not mean you can never defend yourself or curse. Many Wiccans interpret “harm” narrowly (only unjustified harm triggers the law), and defensive or binding magic is often considered exempt.

•  It is not the same as the Wiccan Rede (“An it harm none, do what ye will”). The Rede is about permission; the Threefold Law is about consequence.


Criticisms of the Threefold Law

Outside of Wicca, the concept is frequently criticized:

•  It can promote victim-blaming (“you must have deserved that bad return”).

•  It discourages realistic self-defense or justice-oriented magic.

•  It contradicts observable reality—plenty of harmful people seem to prosper without obvious threefold payback.

•  Some see it as a watered-down, “fluffy” morality imposed on witchcraft to make it more socially acceptable in the 1950s–1970s.



The Threefold Law is a core ethical teaching within Wicca and Wiccan-influenced neo-paganism, functioning as both a karmic warning and a call to personal responsibility. It teaches that whatever you put out—good or ill—comes back to you amplified, usually by three. While it is treated almost as natural law by many modern witches, it is a 20th-century innovation rather than an ancient universal principle, and a large portion of the broader witchcraft community does not accept or follow it.

Tuesday, 18 November 2025

Whip it! Whip it good: The Scourge

 Whip it! Whip it good!


The Scourge: An Instrument of Pain, Penance, and Metaphor

The word “scourge” evokes images of suffering, punishment, and affliction. In its most literal sense, a scourge is a whip or lash, typically consisting of multiple thongs or cords, often fitted with knots, barbs, or metal pieces to maximize pain and injury. Historically, it has been an instrument designed to inflict severe physical torment. Beyond the physical object, “scourge” has evolved into a powerful metaphor for any source of widespread devastation or misery, such as war, disease, or social ills. This dual nature—both as a tangible tool of discipline and an abstract descriptor of calamity—reflects humanity’s longstanding relationship with pain, control, and redemption. This essay explores the origins, purpose, and users of the scourge, tracing its role through history and culture.




Etymology and Origins

The term “scourge” enters English in the 13th century, derived from the Old French escorgier (“to whip”) and the Anglo-Norman escorge. Its roots lie deeper in Latin: the Vulgar Latin excorrigiāre, a compound of ex- (“out” or “thoroughly”) and corrigia(“thong” or “whip”). Essentially, to “scourge” meant to whip thoroughly or flog without restraint.



The scourge as a physical object predates the word’s entry into English. Similar multi-thonged whips appear in ancient civilizations. The Romans employed the 
flagrum or flagellum, a vicious short whip with leather thongs embedded with bone, metal balls, or hooks, specifically designed to rip flesh. This tool was used in the punishment known as flagellation or scourging, famously inflicted upon Jesus Christ before his crucifixion, as described in the New Testament. Earlier still, Assyrian and Egyptian records depict whips with multiple lashes for punishing slaves and criminals. Thus, the scourge’s origins are ancient, born from the need to assert dominance through controlled violence.


Purpose of the Scourge

The primary purpose of the scourge has always been to cause intense pain, often to the point of mutilation. Unlike a single-lash whip, the multi-thonged design multiplies the impact, creating simultaneous wounds across a broad area. In judicial contexts, scourging served as punishment, humiliation, and deterrent. Roman law prescribed it for slaves and non-citizens, with the severity varying: a lighter beating for minor offences, a brutal flagellation that could expose bone or cause death for grave crimes.

No, this isn’t a prop from “ Fifty Shades of Grey “

In religious spheres, the scourge acquired a redemptive purpose. Self-flagellation, or the voluntary use of a scourge on oneself, emerged as a form of mortification of the flesh—a deliberate embrace of suffering to atone for sins, mimic Christ’s passion, or achieve spiritual purity.

 During the Black Death in the 14th century, groups of flagellants roamed Europe, publicly whipping themselves in processions to beg divine mercy amid the plague they saw as God’s punishment. Some Catholic orders and lay movements, including certain members of Opus Dei in modern times, have practiced disciplined self-scourging with small whips (called “disciplines”) as part of ascetic discipline.


The scourge’s design—thongs that bite and tear—ensures it fulfills its purpose efficiently: to break the body in service of breaking the will, expiating guilt, or enforcing order.


Who  Uses a Scourge?

Historically, scourges were wielded by agents of authority. In ancient Rome, soldiers or executioners (lictores) carried out judicial scourging. In medieval Europe, executioners or bailiffs administered flogging in public squares or prisons. Naval powers like Britain employed the cat-o’-nine-tails—a notorious scourge variant—well into the 19th century for disciplining sailors, with the boatswain or master-at-arms delivering the lashes.

Religious practitioners have been both wielders and recipients. Flagellant brotherhoods in the Middle Ages scourged themselves collectively, while solitary monks or hermits used personal scourges in private devotion. In some Christian traditions, saints such as Dominic Loricatus or Peter Damian promoted self-flagellation.



In contemporary times, the scourge appears in subcultures such as BDSM, where consenting adults use floggers (modern scourge-like implements) for erotic or power-exchange contexts. Here, the user is typically the dominant partner, though self-use occurs. Additionally, ceremonial or historical reenactment groups may employ replicas.

Figuratively, anyone can “wield” the term scourge: journalists call drug addiction “the scourge of society,” historians label Attila the Hun the “Scourge of God,” and activists describe poverty or climate change as modern scourges. In this sense, no one physically uses it, yet the word itself punishes by naming the affliction.


The scourge, from its brutal origins in ancient torture to its enduring symbolic power, embodies humanity’s complex relationship with suffering. It has served to punish the guilty, purify the faithful, and describe the intolerable. Though public judicial scourging has largely vanished from civilized societies—banned in most nations as cruel punishment—the word remains potent, reminding us that some afflictions, whether inflicted by human hand or by fate, leave lasting scars on body and soul. In an age where pain is increasingly medicalized or avoided, the scourge stands as a stark historical artifact: a tool that once enforced order through terror, sought grace through agony, and now lingers chiefly in language as a warning of what we must overcome.


Witches and Wiccans: our use is a lot less violent!

In traditional Wicca and broader modern witchcraft (especially in British Traditional Wicca, Gardnerian, Alexandrian, and many eclectic lines), the scourge is one of the eight formal working tools of the Craft. It is not primarily used to cause pain or for self-harm in the way medieval Christian flagellants did. Its role is almost entirely symbolic and energetic.

A modern scourge used in Wicca

Official Purpose and Symbolism in Wicca

Gerald Gardner (the founder of modern Wicca) described the scourge as having these main functions:

1.  Symbol of discipline and power
It represents the willingness to submit to the Gods and to the discipline required for spiritual growth. It is the counterbalance to the athame (which symbolizes power raised or directed outward); the scourge symbolizes power endured or accepted.

2.  A tool for purification and raising energy
In some initiations and certain rites (especially in 2nd- and 3rd-degree work), the scourge is used in a very light, ritual tapping or stroking—never hard enough to cause real pain or marks. This light “scourging” is intended to:

•  Stimulate blood flow and energy (similar to very mild BDSM “sensation play”).

•  Symbolically drive out negative or stagnant energy.

•  Heighten awareness and induce a mild altered state of consciousness (the same principle as light rhythmic drumming or dancing).

3.  Part of the Great Rite in some traditions (symbolic form)
In the symbolic Great Rite performed in the circle (as opposed to the actual sexual act), the High Priestess may lightly scourge the High Priest, and he then returns the gesture. This represents the interplay of dominance and submission between Goddess and God, the balance of suffering and rebirth, and the cycle of sacrifice that leads to renewal.




How It Is Actually Used Today

•  In most modern covens (especially in the US and UK since the 1980s), real scourging is extremely rare or entirely symbolic. The scourge is simply held, kissed, or laid on the altar.

•  When it is used physically, it is done with silken cords or very soft leather thongs, and the strokes are ceremonial—more like a gentle brushing or light patting than anything that could be called whipping.

•  Many Wiccans and witches today reject any physical use entirely and regard the scourge purely as a relic of Gardner’s personal interests (he was influenced by ritual magic orders, flagellant imagery in Crowley’s writings, and alleged historical witch practices that are now known to be largely invented).


Appearance in Modern Practice

•  The traditional Wiccan scourge has a handle (often wood or bone) and usually eight thongs (4 knots in each = 32 total strands, a numerological reference).

•  Some witches replace it with a bunch of peacock feathers, birch twigs, or simply omit it from their tool set altogether.



In authentic Wiccan ritual, the scourge is not a tool of punishment or masochism. Its original and still-official purpose is symbolic: to represent sacrifice, purification, the acceptance of hardship on the path, and the polarity between power given and power received. In actual modern practice, it is almost always used symbolically or with the very lightest ceremonial touch—if it is used physically at all.



Saturday, 15 November 2025

Why do witches wear black?

  Why do witches often wear black?



Whilst it is certainly true that many of us witches and indeed occultists wear black , especially black cloaks.  However, we don’t always wear black! 

Like everyone else, we wear whatever is comfortable, appropriate and feels right at the time. Sometimes we will wear white such as at Handfastings (wedding) or a wiccaning ( baptism into witchcraft) . 

Many of us also love wearing purple which is seen by many cultures as the colour of spirituality or cultural standing. We also wear red and green. In fact any colour .

But yes we do wear black perhaps more frequently than most. 

Why? Here’s some possible explanations:


Historical practicality
In medieval and early modern Europe, black clothing was the cheapest and most hard-wearing option. Black wool dyes (often made from iron-rich mud, walnut hulls, or logwood) were strong, long-lasting, and hid dirt and stains well. Poor rural women (the kind most often accused of witchcraft) naturally wore black most of the time. When witch-hunters described “witches,” they were literally describing what village women already wore.



Symbolism of the occult and the night
Black became associated with night, darkness, mystery, death, and the hidden/underworld. Once the Church linked witchcraft with Satan, black clothing was an easy visual shorthand for “aligned with the powers of darkness.” The stereotype fed itself: if a woman wore black, she looked more “witchy,” so people noticed and remembered her that way.


Folk magic and inversion
In many European folk traditions, black was a protective color that absorbed or repelled negative energy and the evil eye. Wearing black could be a form of defensive magic, ironically the very thing that later made people suspicious.


Modern witchcraft (Wicca, paganism, goth culture)
Today’s witches often wear black deliberately because it feels powerful, elegant, and tied to the archetype. It’s slimming, goes with everything, looks dramatic under candlelight or moonlight, and signals “I’m a witch” without needing a pointy hat. Plus, in ritual, black is seen as containing all colors/absorbing all energy, making it perfect for grounding or protection work.


Bonus pop-culture reason
Thanks to centuries of art, plays, Hollywood (The Wizard of Oz’s Wicked Witch, practically every 1960s–90s TV witch, etc.), the “evil witch = black robes and hat” image is now so iconic that real witches often lean into it for fun or irony.



So in short: it started because poor women wore cheap black clothes, got loaded with centuries of dark-and-scary symbolism, and now witches wear it because it looks badass and completes the brand.

If you are a witch or thinking of becoming one then wear black if you want to, not because you think you must. 

Thursday, 6 November 2025

The Wiccan Rede

 

The Wiccan/Witch Rede

An it Harm None, Do What Ye Will.

Hear now the words of the Witches,
The secrets we hid in the night,
When dark was our destiny's pathway,
That now we bring forth into light.

Mysterious water and fire,
The Earth and the wide-ranging air,
By hidden quintessence we know them,
And will and keep silent and dare.

The birth and rebirth of all nature,
The passing of winter and spring,
We share with the life universal,
Rejoice in the magical ring.

Four times in the year the Great Sabbat
Returns, and the witches are seen
At Lammas and Candlemas dancing,
On May Eve and old Hallowe'en.

When day-time and night-time are equal,
When sun is at greatest and least,
The four Lesser Sabbats are summoned,
Again witches gather in feast.

Thirteen silver moons in a year are,
Thirteen is the covens array.
Thirteen times as Esbat make merry,
For each golden year and a day.

The power was passed down the ages,
Each time between woman and man,
Each century unto the other,
Ere time and the ages began.

When drawn is the magical circle,
By sword or athame or power,
Its compass between the two worlds lies,
In Land of the Shades for that hour.

The world has no right then to know it,
And world of beyond will tell naught,
The oldest of Gods are invoked there,
The Great Work of magic is wrought.

For two are the mystical pillars,
That stand at the gate of the shrine,
And two are the powers of nature,
The forms and the forces divine.

The dark and the light in succession,
The opposites each unto each,
Shown forth as a God and a Goddess,
Of this did our ancestors teach.

By night he's the wild wind's rider,
The Horn'd One, the Lord of the Shades.
By day he's the King of the Woodland,
The dweller in green forest glades.

She is youthful or old as she pleases,
She sails the torn clouds in her barque,
The bright silver lady of midnight,
The crone who weaves spells in the dark.

The master and mistress of magic,
They dwell in the deeps of the mind,
Immortal and ever-renewing,
With power to free or to bind.

So drink the good wine to the Old Gods,  
And dance and make love in their praise,
Til Elphame's fair land shall receive us
In peace at the end of our days.

An Do What You Will be the challenge,
So be it in Love that harms none,
For this is our only commandment,
By Magic of old, be it done!

Eight words the Witches' Creed fulfil:
If it harms none, do what you will!


-- Doreen Valiente